Judy Greer Will got married

Judy Greer and Dean Manley Actress Judy Greer has tied the knot, People reviews. Greer, 36, got married Real-time with Bill Maher producer Dean Manley on Saturday evening within the La Sports Club. About 200 site visitors attended the ceremony, including Bill Maher, Rashida Manley, Jason Biggs, Sarah Chalke and Tyler Labine. See other stars who've become engaged this year Manley and Greer, who presently is seen on the watch's screen inside the Descendants, got involved with June after dating for approximately yearly.

USA has high wants 'Moment'

USA Network, striving to produce an impact the simple truth is programming next season, has high anticipation for "The Moment.InchSequence, from producers Charlie Ebersol and Justin Hochberg, will probably be situated by former Nfl quarterback Kurt Warner and may focus on personal reinvention and existence transformation. Warner, who ended up winning a great Bowl while using St. Louis Rams and playing in another, thought his career is at the mid-1990's when he was stocking shelves in the supermarket in Iowa before given an chance to experience football again.Format for "Just AsInch will probably be similar to CBS' "Undercover Boss," focusing on a single person for each episode.Pilot was shot in La and USA Network is pegging to debut "Just AsInch inside the 2012 second quarter.Cabler, which has continuously relied on hourlong blue sky-designed dramedies to stay atop its entertainment competition in general audiences as well as the 18-49 demo lately, thinks it has to branch to various genres to help keep adding.Furthermore to "The Moment,Inch internet has plans for other reality series, including Shed Media's "The Choir" -- where a town transforms itself through music -- too projects from Magical Elves ("Top Chef") and "The Slopes" creator Adam DiVello. Contact Stuart Levine at stuart.levine@variety.com

The CW Teams With J.J. Abrams & OTH Creator Mark Schwahn For Hotel Drama

EXCLUSIVE: J.J. Abrams is headed for the CW. Within the first stint within the 5-year-old network, the most effective author-producer-director has joined with Mark Schwahn, creator/executive producer/showrunner in the CW’s extended-running drama One Tree Hill. The power pair has offered costly hotels drama for the CW, which will instantly become one of the the network’s finest-profile projects this development season. Schwahn will write the show, tentatively titled Maine, that's occur an motel in Maine and involves employees as well as the motel’s site visitors. Abrams and Schwahn will executive produce with Bryan Burk for Warner Bros. TV, Abrams’ studio-based Bad Robot and Schwahn’s Mastermind Labs. In scope, the level of smoothness-based drama, which has received a script commitment, harks to Schwahn’s OTH, which will finish its nine-year run early next season, and Abrams’ Felicity. This marks a homecoming of sorts for Abrams who started his TV career round the CW predecessor the WB with Felicity. For Schwahn, the project develops from a script deal with WBTV. The sale reunites Abrams while using CW leader Mark Pedowitz and EVP development Thom Sherman who labored with Abrams at ABC and ABC Art galleries. Most recently, Pedowitz was leader of ABC Art galleries where Abrams was within general deal before moving to WBTV in 2006, and Sherman went Abrams’ production company Bad Robot for two main years before joining the CW, also in 2006. Once the project visits series, every time they visit for just about any seamless transition for WME-repped Schwahn, who's wrapping the ninth and final season of just one Tree Hill. He's the second creator from the extended-running, hit CW series being writing a greater-profile new work with the network, along with Supernatural creator Eric Kripke, who's adapting Electricity Comic Deadman. Coincidentally, both Schwahn and Kripke have projects with Abrams this year. Close to the CW hotel drama, Bad Robot’s other project in contention for next fall is Revolution, popular adventure thriller at NBC composed by Kripke, having a pilot production commitment.

Orphan Author Targets Last Guy Standing

Heavy Metal And Rock comic heads screenwardsDavid Fincher, Robert Rodriguez and privileges-holder Kevin Eastman have battled recently to obtain a new portmanteau Heavy Metal And Rock movie ready to go. But a rest-out, stand-alone title in the famous sci-fi-and-violence-and-breasts anthology comic looks to become at risk of a movie adaptation, as Last Guy Standing.The excitement began finally year's Comic-Disadvantage, where Daniel LuVisi's Last Guy Standing graphic novel, 2 yrs within the making, offered out its entire print run inside a little over two hrs. Vital were quick to seize themselves a choice, and it is now fallen to David Leslie Manley (Orphan, Wrath From The Leaders, The Walking Dead) to hammer the fabric into script shape. LuVisi reaches remain on-hands like a producer.Nothing related to Bruce Willis ducking and weaving throughout Prohibition, Last Guy Standing: Killbook Of The Fugitive Hunter is placed 600 years later on, and involves a kick-ass covert operative named Gabriel, running missions for any paramilitary group known as Armtech. He turns into a celebrity hero after playing a vital part inside a war against Mars that Earth wins, but he's then presented to have an act of terrorism and stays nine years in clink, before getting away and starting around the obligatory Mission For Revenge.When the story sounds generic, the planet it's occur is definitely an intricate one: the graphic novel is presented being an enormous scrapbook of literature and data detailing the universe's politics, primary gamers and technology. A huge sandpit for Manley to experience in, quite simply, and something that Vital hopes will run and run: Variety reviews plans for "a multi-platform franchise property"...

2011s Second Worst Weekend: Breaking Dawn Threepeats For #1, Muppets #2, Oscar-Buzzed Hugo, Shame, The Artist, The Descendants, Marilyn All Strong

SATURDAY PM/SUNDAY AM: No major studio movies opened. Interesting that6 of the Top 10 highest grossing films are PG. But this weekend is looking like $82M which is neck-and-neck for the lowest weekend of 2011 (September 9th’s $81M). Deadline begins its closer look at the specialty market. Fox Searchlight’s Shame played in 10 theatres in 6 cities and grossed $361K with a theatre average of $36,118.In a dismal down weekend, the film delivered thehighest per screen average this post-holiday period even with an NC-17 rating.The studio is hoping this Steve McQueen-directed film is receiving enough buzz foralong run through the awards season. Fox Searchlight’s The Descendants sticks the Top 10 despite a low theater count and became the first limited platform film ever to hit $10M in the first 12 days of release.This Oscar-touted Alexander Payne/George Clooney dramedyexpands next Friday into850 theaters to keep up with continuing demand. The Weinstein Co’s My Week With Marilyn didn’t add theaters but held up well,down only 43% on Friday and 26% on Saturday.Already TWC’s badmouthing of the Oscar competition has begun: “This compares to Descendants which, while down 47% and 24% overall, added 33% more locations (141) theaters, and their actual drop in the existing theaters was down 56% and 37%. Paramount’sHugo added 44% more theaters (563) and, while their overall drop was down 57% and 24%, their actual drop in the existing theaters was down 62% and 34% for Friday and Saturday. What all this says is that Marilyn is holding in better than the competition and that we have good word of mouth.” The Weinstein Co’s Academy Award Best Picture-heraldedThe Artist had its best day yet on Saturday in both NY houses. “And while LA took a hit on Friday, it was only down slightly from last week on Saturday with drops of 21% in Hollywood and 11% at the Landmark,” the indie said. “Obviously, we have fantastic WOM on this.”The European Film Awards just wrapped in Berlin where Magnolia’s Melancholia from the looney Lars von Trier won top prize. Top 10 highest grossing films: 1. Twilight Saga: Breaking Dawn Part 1 (Summit) Week 3 [4,046 Theaters] Friday $5.5M, Saturday $7.2M,Weekend $16.9M (-60%),Cume $247.3M 2. The Muppets (Disney) Week 2 [3,440 Theaters] Friday $2.7M, Saturday $5.2M,Weekend $11.2M (-63%),Cume $56.1M 3. Hugo 3D(Paramount) Week 2 [1,840 Theaters] Friday $2M, Saturday $3.4M,Weekend $7.5M (-36%),Cume $25.1M 4. Arthur Christmas 3D (Sony) Week 2 [3,376 Theaters] Friday $1.6M (-64%), Saturday $3.5M,Weekend $7.3M (-39%),Cume $25.1M 5. Happy Feet 3D (Warner Bros) Week 4 [3,536 Theaters] Friday $1.4M, Saturday $2.8M, Weekend $5.8M, Cume $51.6M 6. Jack And Jill (Sony) Week 3 [3,049 Theaters] Friday $1.5M, Saturday $2.5M,Weekend $5.5M,Cume $64.3M 7. The Descendants (Fox Searchlight) Week 3 [574 Theaters] Friday $1.4M, Saturday $2.2M,Weekend $5.2M, Cume $18M 8. Immortals 3D (Relativity) Week 4 [2,627 Theaters] Friday $1.3M, Saturday $1.8M,Weekend $4.3M, Cume $75.5M 9. Tower Heist (Universal) Week5 [2,404 Theaters] Friday $1.2M, Saturday $1.8M,Weekend $4M,Cume $70.6M 10. Puss In Boots (DreamWorks Anim/Paramount)Week6 [2,750 Theaters] Friday $700K, Saturday $1.4M, Weekend $3M,Cume $139.5M Specialty Shame (Fox Searchlight) NEW [10 Theaters] Friday $110K, Saturday $139K, Weekend $361K,Per Screen $36,118 The Dirty Picture (FLM) NEW [48 Theaters] Friday $76K, Saturday $120K, Weekend $268K, Per Screen $5,583, Cume $268K Pastorela (Lionsgate) NEW [55 Theaters] Friday $23K, Saturday $24K, Weekend$65K, Per Screen$1,191, Cume $65K I Am Singh (Reliance Big Pictures) NEW [54 Theaters] Friday $7K, Saturday $13K, Weekend $29K, Per Screen$539, Cume $29K Kinyarwanda (Ind) NEW [9 Theaters] Friday $8K, Saturday $7K, Weekend $21K, Per Screen $2,344 Answers To Nothing (Roadside Attractions) NEW [21 Theaters] Friday $5K,Saturday $5K, Weekend $14K,Per Screen$712, Cume $15K Sleeping Beauty (IFC) NEW [2 Theaters] Friday $2K, Saturday $3K, Weekend $9K,Per Screen $4,770 Outrage (Magnolia) NEW [2 Theaters] Friday $2K, Saturday $2K, Weekend $6K,Per Screen $3,080 My Week With Marilyn (The Weinstein Co) Week 2 [244 Theaters] Friday $344K, Saturday $506K, Weekend $1.1M (-33%), Per Screen $4,836, Cume $3.8M The Artist (The Weinstein Co) Week 2 (6 Theaters) Friday $56K, Saturday $88K, Weekend $205K, Per Screen $34,263, Cume $495K A Dangerous Method (Sony Classics) Week 2 [4 Theaters) Friday $32K, Saturday $48K,Weekend $122K, Per Screen $30,629, Cume $415K, Desi Boyz (ERO) Week 2 [103 Theaters] Friday $55K, Saturday $82K, Weekend $182K, Per Screen $1,768, Cume $996K Melancholia (Magnolia) Week 4 [110 Theaters] Friday $72K, Saturday $101K, Weekend $238K, Per Screen $2,170, Cume $1.6M Like Crazy (Paramount Vantage) Week 6 [152 Theaters] Friday $84K, Saturday $108K, Weekend $251K, Per Screen $1,654, Cume $2.9M Margin Call (Roadside Attractions) Week 7 [150 Theaters] Friday $58K, Saturday $103K, Weekend $217K, Per Screen $1,451, Cume $4.7M Martha Marcy May Marlene (Fox Searchlight) Week 7 [84 Theaters] Friday $27K, Saturday $42K, Weekend $95K, Per Screen $1,095, Cume $2.7M The Skin I Live In (Sony Classics) Week 8 [116 Theaters] Weekend $165K, Per Screen $1,424, Cume $2.6M, Take Shelter (Sony Classics) Week 10 [47 Theaters] Weekend $45K, Per Screen $840, Cume $1.5M, Midnight In Paris (Sony Classics) Week 29) [305 Theaters] Friday $78K, Saturday $105K, Weekend$274K,Per Screen $900, Cume $55.9K